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Cross-Posted at THE DAILY MUSIC BREAK, the site that features good music regardless of era or genre. Visit for the music -- and a free daily or weekly email of links.


Pinetop Perkins' Pinetop's Boogie is above. Below is Down in Mississippi.

Here is the beginning of Perkins' bio:

Pinetop Perkins was one of the last great Mississippi bluesmen. He began playing blues in the late 1920s, and is widely regarded as one of the best – and certainly most enduring – blues pianists. He has forged a style that has influenced three generations of piano players, and continues to be the yardstick by which great blues pianists are measured.

Born Willie Perkins in Belzoni, Mississippi in 1913, Pinetop started out playing guitar and piano at house parties and honky-tonks, but dropped the guitar in the 1940s after sustaining a serious injury in his left arm. He worked primarily in the Mississippi Delta throughout the 1930s and ‘40s, spending three years with Sonny Boy Williamson on the King Biscuit Time radio show on KFFA in Helena, Arkansas. Pinetop also toured extensively with slide guitar player Robert Nighthawk and backed him on an early Chess session. After briefly working with B.B. King in Memphis, Perkins barnstormed the South with Earl Hooker during the early ‘50s. The pair completed a session for Sam Phillips’ famous Sun Records in 1953. It was at this session that he recorded his version of “Pinetop’s Boogie Woogie,” a song originally written and recorded by pianist Clarence “Pinetop” Smith – the influential blues pianist who had died from a gunshot wound at age 24 in 1929. Although referred to as “Pinetop” when he played on King Biscuit in the 40s, it was his sensational version of this song that secured his lifelong nickname. Continue Reading...

Here is Perkins' New York Times obituary from March 21, 2011, which is the same day he died.

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Originally posted to cweinsch on Wed Dec 26, 2012 at 08:52 AM PST.

Also republished by An Ear for Music.

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