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Goodbye Herman Cain. You will be missed.

Unable to weather repeated charges of sexual harassment and infidelity, the Herman Cain train has finally gone off the tracks. Yet, even by the unique and unconventional standards of the 2012 Republican presidential primary field, Herman Cain was a spectacle ”and one with a unique advantage.

I signaled to Herman Cain's potential in February 2011 in a controversial essay on the online magazine Alternet, where after his break-out speech at the Conservative Political Action Conference, I described it as a race minstrel-like performance. There, with everything but blackface cork, Cain channeled his dead black grand pappy with a semi-literate Southern drawl, told white folks that racism is a fiction (and that they are in fact the real victims of bigotry in the Age of Obama), and validated a belief that black people like Herman Cain those who don't complain, make trouble, or participate in the Civil Rights Movement are the way forward.

In total, Herman Cain was a fantasy projection and type of racism shield, an Anti-Obama, who could soothe the anxieties of racially resentful white conservatives. While Cain's shtick did not rise to the level of comedian David Chappelle'™s character Clayton Bigsby, black white supremacist; it was, in many ways, a genius performance. He was Sarah Palin mated with the Boondocks.

At the time, I was widely criticized for daring to suggest that Herman Cain was channeling such an offensive stereotype. My analysis proved prescient. In time, other observers either borrowed the meme, or were clearly inspired by it.

Unfortunately, many of those who ran with my suggestion that Herman Cain was performing as a race minstrel for the pleasures of his white conservative public, did not understand the depth of the claim. I was not trying to engage in name calling, or to get a snicker from the public, by calling attention to Herman Cain's racially infused Tomfoolery. Rather, my deeper point was that Herman Cain's race minstrel performance was a carefully crafted means towards an end.

Herman Cain was the mouthpiece for the unrepentant id of the New Right. He could advocate for the most extreme aspects of their ideology behind a mask of black incompetence, and down home mannerisms, that could potentially protect him from criticism. In addition, conservatives could deploy the race card at will to defend their chosen son: Herman Cain was a black cheerleader who could advance some of their most onerous and extreme policy positions.

The Herman Cain New Age Race Minstrel Show ended in the only way that it could. In keeping with the routine, Cain was brought down by his own arrogance and narcissism. He had grand plans and schemes that he could not fulfill. Because the race minstrel was a white supremacist fantasy that embodied fears about African American's citizenship and freedom in the aftermath of the Civil War, he was a bumbling fool, and an incompetent who was not fit for democracy. And of course, the race minstrel lacked impulse control. His libido and craven pursuit of white women what was an unattainable prize ”would be his ultimate undoing.

From his willful embrace of ignorance on matters of foreign policy, a "œ9-9-9" tax policy cobbled together by secret advisers (and likely borrowed from a videogame), dreams of electrified fences and moats to kill œillegal immigrants, rampant and almost cartoon-like levels of Islamophobia and Christian nationalism, whistling Dixie demagoguing of blacks who are not Republicans as being œon a plantation, and of course his purported propensity for sexual harassment and adulterous behavior, Herman Cain played the role of race minstrel for the Tea Party GOP with aplomb and zest.

In all, the Herman Cain candidacy was a thing of ugly beauty. Cain began his presidential primary run with the priceless and under-used phrase "œawww...shucky ducky," seasoned it with a spiritual sung at the National Press Club, and offered a funereal oratory for his campaign that concluded with a quote from the Pokemon cartoon series.

Herman Cain caught lightning in a bottle. He combined the worst aspects of Tyler Perry's various TV and film exercises in black buffoonery, the denigrating humor of Amos N' Andy, and the tropes of 19th century race minstrelsy into one show. While some observers will try to divine some deep and symbolic meaning about race in the Age of Obama from Herman Cain's brief and shining moment in the 2012 Republican primaries, the lesson here, is in fact, more basic. Give people what they want. In this case, the white populists in the Republican Party wanted a black man who told them that they are not racists, Jim Crow wasn't that bad, and "our blacks" are better than "œthose other" blacks who happen to be Democrats.

Herman Cain, master of the racial authenticity game, fashioned himself as a real black man as compared to President Barack Obama. He reminded his audience of this fact at every opportunity. They lapped it up. Sadly for Herman Cain, just as Michael Steele and other black conservatives learned long ago, the love and affection of the White Right is instrumental, and the devotion to their mascots is temporary, with a limited shelf-life.

As of Saturday, Herman Cain was barely the flavor of the month. Black Walnut has melted; Cornbread is now stale; it is time to go home or perhaps begin a second career as a traveling bluesman and motivational speaker, for Herman Cain's unlikely saga as a 2012 Republican presidential primary candidate has yielded more than enough material to last a lifetime.

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