"Unstuck her in time, day-sleeping in her bedroom. How old was she? Seven, seventeen, twenty-seven? Dusk or dawn? Couldn’t tell by the light outside. Checked her phone. Evening. The house silent, her mother probably asleep. Out through the smell of her grandfather’s fifty years of National Geographic, shelved in the hall." -- William Gibson, The Peripheral
The Bridge Trilogy novels were my favorite works by William Gibson. The Peripheral has bumped them to second place.
I looked over my earlier Gibson reviews before writing this one and think this is worth repeating:
"Gibson likes complex stories with interrelated events and characters. He's a student of pop culture, and his novels are right on top of current trends. Even more than complexity and hipness, I think, he likes happy endings. Some say he's a sentimentalist, but I don't think hipness has to be dark."
There's a strong strain of intellectual curiosity behind Gibson's near-future stories, which always makes for good science fiction, but what I like best about his story-telling is that he leaves it to the reader to figure things out. He doesn't explain. And when he does, usually through dialog between characters, it's the barest minimum necessary, in context, and natural. In this novel, characters are immersed in what at first seem to be inexplicable events; it's natural they would talk to one another and try to interpret what's happening to them. We're along for the ride with characters we can relate to and understand.
You can't talk about what happens in The Peripheral without giving the store away. Most reviews try to explain the essential idea, so I will too. The novel centers around characters living in two futures: a near future and a more distant one, some 70-80 years beyond that. People in the farther future discover a way to communicate electronically with people in the earlier future; this has been made possible by some unspecified technological development occurring during that earlier future. Eventually, characters on both sides are able to virtually visit one another. Every interaction with the future changes the present, which branches off into "shunts." In this novel, Gibson is concerned with characters living in one particular shunt. Well, enough of that. Gibson makes it real; I can't even.
My favorite character in the Bridge Trilogy novels is Chevette. Chevette's great-grandniece is Flynne, and I fell in love with her too. Brave, smart, unintimidated, rolling with the punches. And of all the little details Gibson creates to make the near future believable ... a totally credible outgrowth of the world you and I live in now ... Hefty Mart is the one that clicks. I'll never pass the Costco snack bar again without thinking of Hefty Mart.
And what I said earlier about happy endings? Yes.
Seriously, I'm like a 14-year-old kid again, back in the Golden Age of science fiction. Gibson is sick, man! The Peripheral is astonishingly good.
More reviews below the squiggle ...