This probably won’t come as a surprise, but as much as I love literary fiction, it’s not the only kind of book I read. Whether it’s mystery, YA and middle grade, fantasy or historical fiction, I’m pretty much open to any kind of fiction.
And I don’t limit my reading to fiction. Right now, it’s nonfiction that has me excited to turn the pages. (Which is just one reason I’m delighted that debtorsprison has a continuing diary following mine each week.)
There is one novel that is contemporary literary fiction that I am taking my time reading, and which I hope to feature soon. Meanwhile, here are some of the books that were scheduled to be published today. All thumbnail descriptions are from the publisher, and links are to the Literate Lizard, our Readers and Book Lovers-supporting independent bookstore.
Sitting alone beside the languorous blue waters of the lagoon, Ana Magdalena Bach contemplates the men at the hotel bar. She has been happily married for twenty-seven years and has no reason to escape the life she has made with her husband and children. And yet, every August, she travels by ferry here to the island where her mother is buried, and for one night takes a new lover.
Across sultry Caribbean evenings full of salsa and boleros, lotharios and conmen, Ana journeys further each year into the hinterland of her desire and the fear hidden in her heart.
When David first hears the senator from Illinois speak, he feels deep ambivalence. Intrigued by the senator’s idealistic rhetoric, David also wonders how he’ll balance the fervent belief and inevitable compromises it will take to become the United States’ first Black president.
Great Expectations is about David’s eighteen months working for the senator's presidential campaign. Along the way David meets a myriad of people who raise a set of questions—questions of history, art, race, religion, and fatherhood—that force David to look at his own life anew and come to terms with his identity as a young Black man and father in America.
(Note: New Yorker writer Cunningham was on staff for President Obama’s campaign and at the White House.)
What if in each universe there reigned other Black woman gods? One million versions of god, and one million saints to watch over us? And what if this Black woman god were placed here on earth?
It’s the summer of 1984 in Swaffham, Massachusetts, when Mel (short for Melanie) meets Sylvia, a tough-as-nails trans woman whose shameless swagger inspires Mel’s dawning self-awareness. But Sylvia’s presence sparks fury among her neighbors and throws Mel into conflict with her mother and best friend. Decades later, in 2019, Max (formerly Mel) is on probation from his teaching job for, ironically, defying speech codes around trans identity. Back in Swaffham, he must navigate life as part of a fractured family and face his own role in the disasters of the past.
Bessem notices Fatima for the first time on the soccer field—muscular and focused, she’s the only woman playing and seems completely at ease. When Fatima chases a rogue ball in her direction, Bessem freezes, mesmerized by the athlete’s charm and beauty. One playful wink from Fatima, and Bessem knows her life will never be the same.
In Cameroon, a country where same-sex relationships are punishable by law, the odds are stacked against Bessem and Fatima from the start. And when Fatima’s older brother, a staunch Muslim, finds out about their affair, he intervenes by physically assaulting them, an incident that precedes a police raid at the only gay bar in town. After spending days in jail, Fatima goes missing without a trace, and Bessem is left with only rumors of her whereabouts. Has Fatima been sentenced to an unknown prison? Has she been banished from her community, or married off, as some have suggested? Or something even more sinister?
Equal parts fantastical—a pair of talking dolls help twins escape a stifling home, a heart boils on the stove as part of an elaborate cure for melancholy, a fox demon contemplates avenging her sister's death—and true to life—a mother and daughter try to heal their rift when the daughter falls unexpectedly pregnant, a woman reexamines her father's legacy after his death—the stories in this collection are hopeful and heartbreaking, full of danger and full of joy.
forgotten Scottish king, a young girl carries the guilt of her mother’s death and the weight of an unknowable prophecy. When she is married, at fifteen, to the Mormaer of Moray, she experiences firsthand the violence of a sadistic husband and a kingdom constantly at war. To survive with her young son in a superstitious realm, she must rely on her own cunning and wit, especially when her husband’s downfall inadvertently sets them free.
Suspicious of the dark devices that may have led to his father’s death, her son watches as his mother falls in love with the enigmatic thane Macbeth. Now a woman of stature, Lady Macbeth confronts a world of masculine power and secures the protection of her family. But the coronation of King Duncan and the political maneuvering of her cousin Macduff set her on a tragic course, one where her own success might mean embracing the very curse that haunts her and risking the child she loves.
The Mozinskis experience music like no family you've ever met. Struggling musicians Vincent Mozinski and Grace Klinefelter marry in the early 1960s, drawn together by the shared ability to see the music they play. The two pass this unique skill along to their ever-growing family of musical prodigies: Clara, Ellington, Bix, Allegro, Thelonious, and Viola. After the children record a radio commercial for a local business, Vincent realizes the best chance of achieving his dream of musical stardom is with and through his children.
The family is tapped as one of several amateur acts to perform on a nationally televised Bicentennial celebration, leading to a recording contract and ultimately the pinnacle of 1970s stardom, their own musical variety show. The success of The Musical Mozinskis depends on the family's ability to keep churning out talented children. There's only one problem: Viola is tone deaf.
In a desert dotted with war-torn towns, Lázaro and Juan are two soldiers from opposing camps who abandon the war and, while fleeing, become lovers and discover a dark truth. Vicente Barrera, a salesman who swept into the lives of women who both hated and revered him, spends his last days tied up like a mad dog. A morgue worker, Salvador, gets lost in the desert and hallucinating from heat and thirst, mistakes the cactus for the person he loves.
Zhenia is adrift in Los Angeles, pregnant with a baby her husband doesn’t want, while her Russian grandmother and favorite person in the world is dying on the opposite coast. She’s deeply disconnected from herself and her desires when she gets a strange call from Paul, a psychic medium who usually specializes in channeling dead pets, with a message from the other side. Zhenia’s great-grandmother Irina, a Russian Revolutionary, has approached him from a cloud of ancestral grief, desperate to tell her story and receive absolution from Zhenia.
In 1872, sixteen-year-old Goes First, a Crow Native woman, marries Abe Farwell, a white fur trader. He gives her the name Mary, and they set off on the long trip to his trading post in Saskatchewan, Canada. Along the way, she finds a fast friend in a Métis named Jeannie; makes a lifelong enemy in a wolfer named Stiller; and despite learning a dark secret of Farwell’s past, falls in love with her husband.
The winter trading season passes peacefully. Then, on the eve of their return to Montana, a group of drunken whiskey traders slaughters forty Nakota—despite Farwell’s efforts to stop them. Mary, hiding from the hail of bullets, sees the murderers, including Stiller, take five Nakota women back to their fort. She begs Farwell to save them, and when he refuses, Mary takes two guns, creeps into the fort, and saves the women from certain death.
(Note: Based on the real Crow Mary and her daring rescue.)
It begins in an unnamed city nicknamed “the Fairest”, it is distinguished by many things from the river fair to the mountains that split the municipality in half; its theaters and many museums; the Morgue Ship; and, like all cities, but maybe especially so, by its essential unmappability.
Dora, a former domestic servant at the university has a secret desire—to understand the mystery of her brother's death, believing that the answer lies within The Museum of Psykical Research, where he worked when Dora was a child. With the city amidst a revolutionary upheaval, where citizens like Robert Barnes, her lover and a student radical, are now in positions of authority, Dora contrives to gain the curatorship of the half-forgotten museum only to find it all but burnt to the ground, with the neighboring museums oddly untouched. Robert offers her one of these, The National Museum of the Worker. However, neither this museum, nor the street it is hidden away on, nor Dora herself, are what they at first appear to be.
For years Mamie Künstler, ninety-three-years-old, as clever and glamorous as ever, has lived happily in her bungalow in Venice, California with her inscrutable housekeeper and her gigantic St. Bernard dog. Their tranquility is upended when Mamie’s grandson, Julian, arrives from New York City. Like many a twenty-something, he has come to seek his fortune in Hollywood. But it is 2020, the global pandemic sweeps in, and Julian’s short visit suddenly has no end in sight.
Mamie was only eleven when the Künstlers escaped Vienna in 1939. They made their way, stunned and overwhelmed, to sunny, surreal Los Angeles where they joined a colony of distinguished Jewish musicians, writers and intellectuals also escaping Hitler. Now, faced with months of lockdown and a willing listener, Mamie begins to tell Julian the buried stories of her early years in Los Angeles.
Claire, fifty-two, desperately desires a fresh start. After decades as a real estate broker specializing in old religious properties, she’s looking for something new. And then, on the eve of her thirtieth college reunion, a call comes from Rome.
It’s from a struggling convent facing a precipitous end, and Claire isn’t so sure she can help out. But once in Rome, she finds a group of funny, fearless nuns in a gorgeous, if crumbling, villa, a city whose colors deepen as she spends miles running its streets, and above all, a chance to reflect. It leads her unexpectedly to wonder: maybe she should stay in Rome. In the convent. Forever.
The magnum opus of 2004 Nobel laureate Elfriede Jelinek—a spectral journey through the catastrophic history embedded in the landscape of Austria
The Alpenrose is a mountain resort nestled in Austria’s scenic landscape among historic churches and castles. It is a vacation idyll that attracts tourists from all over Europe. It is also a mass burial site.
Amid the snow-topped peaks and panoramic vistas, ghosts haunt the forest: Edgar Gstranz, a young skier who died in a car crash; Gudrun Bichler, a philosophy student who committed suicide in her bathtub; and Karin Frenzel, a widow who (perhaps) died in a bus accident. As the three slip in and out of the hotel, engaging unsuspecting tourists and seeking a way to return to life, the soil begins to crack under their feet as the dead of the Holocaust awaken: zombies determined to exact their revenge.
The basis of the 2017 film adaptation by Andrés Curbelo and David Maler.
In 1976 Santo Domingo, Ángel Maceta uncovers the real story behind the murder of his father, Puro Maceta, ten years prior. In the process, events that unfolded during and after the war are revealed, unleashing a series of small revolutions in his community that in turn unravel other intrigues of what really took place during the Civil War of 1965.
When Akuany and her brother Bol are orphaned in a village raid in South Sudan, they're taken in by a young merchant Yaseen who promises to care for them, a vow that tethers him to Akuany through their adulthood. As a revolutionary leader rises to power - the self-proclaimed Mahdi, prophesied redeemer of Islam - Sudan begins to slip from the grasp of Ottoman rule, and everyone must choose a side. A scholar of the Qur'an, Yaseen feels beholden to stand against this false Mahdi, even as his choice splinters his family. Meanwhile, Akuany moves through her young adulthood and across the country alone, sold and traded from house to house, with Yaseen as her inconsistent lifeline. Everything each of them is striving for - love, freedom, safety - is all on the line in the fight for Sudan.
Once the big house on an Irish estate, Birchwood has turned into a dilapidated family manor filled with memories and despair. One disaster succeeds another, until young Gabriel Godkin runs away to join a traveling circus and look for his long-lost twin sister. Soon he discovers that famine and unrest stalk the countryside, and Ireland is ruined too.
In her debut short-story collection A Small Apocalypse, Laura Chow Reeve examines cultural inheritance, hybridity, queerness, and the stickiness of home with an eye for both the uncanny and the realistic: human bodies become reptilian, queer ghosts haunt their friends, a young woman learns to pickle memories, and a theater floods during an apocalyptic movie marathon.
Multan, Pakistan. A conservative city where an unmarried woman over the age of twenty-five is considered a curse by her family.
Ayesha is twenty-seven. Independent and happily single, she has evaded an arranged marriage because of her family's reduced circumstances. When she catches the eye of powerful, wealthy Raza, it seems like the answer to her parents' prayers. But Ayesha is in love with someone else, and when she refuses to give up on him, Raza resorts to unthinkable revenge.
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