Everyone's life has been under surveillance for decades in a United States set in the future. Smart devices track everything you do. The premise is only slightly exaggerated from today's reality, and is horrifically plausible.
In this scenario, if you are having trouble sleeping, you can have another device implanted that solves the problem. But that device also records your dreams. And if those dreams help determine you may commit a crime, you can be detained.
That's what happens to Sara Hussein in Laila Lalami's The Dream Hotel. The private and government surveillance have determined that because of her dreams, she is at risk to kill her husband. Who she loves. Who is the father of her twin toddlers. She is confronted with these findings at the airport when returning home after an international conference that she has attended in the past.
Sara is sent to a women's detention center that operates like a prison, although the private company that owns it insists it is not one. She and the other women detained have jobs that include helping train AI programs, working at a computer screens. Their food is horrid, their showers are timed, they line up in the mornings for check-in via head implants.
Infractions add to the length of their detention stays, which are supposed to be only three weeks. The infractions depend on the moods of their guards. Sara is under the watchful eye of one particularly watchful one. Hinton is a particularly warped individual who has inklings of a personality. But Lalami does not make him a sympathetic character, one who harms because he has been harmed. Instead, Hinton represents the system in a way that shows Sara's battle to remain herself.
The personal and the societal aspects of AI, of surveillance, of supposed ease in daily life because of electronics, all work together in the world Lalami portrays. It is not that far from the control by oligarchs and corporations we are living under now. And so this is a cautionary tale that demands our attention.
The Dream Hotel is a warning, but it is not heavy-handed. The tone of the narrative draws the reader in. It is reminiscent of what Kazuo Ishiguro does in Never Let Me Go, another powerful novel of individuals living together in close quarters and more dependent on each other than they may initially realize.
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A smattering of books being published this week, with links to The Literate Lizard and descriptions by publishers. Do yourself a favor and live in a book you enjoy for a spell this week.
- Crown by Evanthia Bromiley
Jude Woods is on the brink of eviction. Pregnant, jobless, and mother to Evan and Virginia, she has three days to box up her family’s life and find a safe place to live. In the Woods’ quiet trailer park, neighbors keep to themselves, but it’s no secret Jude and her twins are in jeopardy—the eviction notice slapped on their front door like a white shout.
When Jude’s contractions flare just as their power is shut off, she rushes to the hospital instructing Evan and Virginia to hide in their car in the surrounding fields. If the children are discovered outside alone, they will be taken from her. Jude labors through the night in a crowded emergency room while the twins, desperate in the heat of the cramped car and spurred by their wild imaginations, strike out along the dangerous riverbank in search of a new home for their growing family. As night hurtles toward the morning lockout, both mother and children reckon with what it means to live and dream in a modern America insistent on slamming doors.
June views the world differently than others. A keen horticulturist, she can name every flower species in the alphabet (J begins with the Jamaica Plum). Yet, when it comes to people and relationships, she's still cultivating an understanding.
After her mother's unexpected death, June must vacate her home. But when the social worker urges her to move into a flat with no garden—clearly, that won’t work. With no other options, she embarks on her first solo trip in search of a father she’s only seen in a single old photograph.
When June unexpectedly shows up at her father’s door, he panics and turns her away, unwilling to jeopardize his idyllic life and new family. On her way out, June spies an unruly backyard and with nowhere else to go, quietly moves into her father’s yellow garden shed. Once again, she can spend her days surrounded by her beloved flowers. But when her father’s 12-year-old son—her half-brother—discovers June, she must choose between being seen for the first time or running away yet again.
Sharif is a good person. He knows that he is good because he’s aware of the privilege that he holds as a white man. He knows he is good because he chose to be a social worker at a nonprofit in Brooklyn, scraping by in New York City. And he knows he is good because his wife, Adjoua, a progressive Black novelist, has always said so.
But Sharif’s goodness doesn’t protect him and Adjoua against bad luck. In an emergency, when they must find a new home for Judy, their beloved, unruly, giant dog before the imminent birth of their immunocompromised daughter, a desperate Sharif leaves Judy in the care of Emmanuel, an undocumented Haitian immigrant Sharif met through his social services nonprofit.
When Emmanuel agrees to take the dog, it is only a momentary relief. What begins as a dispute between the young couple and Emmanuel's teenage son soon draws both families into a maelstrom of unpredictable conflict. As tempers flare into a public uproar, escalating to social media and being taken up by law enforcement, the cracks in Sharif and Adjoua’s marriage are exposed. The couple is forced to confront everything they thought they knew about race and empathy, while Sharif must question if he was ever good in the first place.
Where do you get an abortion in 1960 Georgia, especially if your small town’s midwife goes to the same church as your parents? For seventeen-year-old Doris Steele, the answer is Atlanta, where her favorite teacher, Mrs. Lucas, calls upon her brash, wealthy childhood best friend, Sylvia, for help. While waiting to hear from the doctor who has agreed to do the procedure, Doris spends the weekend scandalized by, but drawn to, the people who move in and out of Sylvia's orbit: celebrities whom Doris has seen in the pages of Jet and Ebony, civil rights leaders like Coretta Scott King and Diane Nash, women who dance close together, boys who flirt too hard and talk too much, atheists! And even more shocking . . . Mrs. Lucas seems right at home.
From the guests at a queer kickback to the student activists at a SNCC conference, Doris suddenly finds herself surrounded by so many people who seem to know exactly who or what they want. Doris knows she doesn’t want a baby, but what does she want? Will this trip help her find out?
Three strangers, connected only by a mesmerizing painting named Three Guesses, embark on an extraordinary journey of friendship. Compelled by their agreement to communicate only by mail, Sam Brooks of Memphis, Tennessee, Richard Mabry of Phoenix, Arizona, and Pete Wren of New York City reveal surprisingly intimate, personal details in a series of letters over the course of seven years. Then, as each contends with critical turning points in their lives, the unlikely trio breaks their mail-only pact and makes a life-changing decision to finally meet in person at the Outer Banks of North Carolina. Humorous and heartbreaking, soulful and breathtaking, Three Guesses celebrates the power of friendship to carry us through the most joyful and the most difficult chapters of our lives.
Ed is a weeper. A professional weeper. He's a card-carrying member of Local 312, an eccentric union of mourners, hired for funerals and wakes, services and burials. But all that feeling can wear a man down, and the tears don’t come like they used to. Especially as the normals, the privileged non-weepers, appear to feel less and less every day, even as the world gets worse and worse. Lately it’s been drier and hotter than hell itself.
And then one morning a new kid shows up. No belongings, no parents, no name. He’s young, scrawny, non-union. Ed can’t help but feel a fondness for him. The kid never sheds a tear, but he is charged with a strange, divine power to make others feel. He leaves a trail of something—call them miracles, call them disasters—in his wake. And then he disappears.
Fulfillment tells the story of two half brothers—Joel, a successful academic and author, whose marriage is in deep trouble, and his younger sibling, Emmett, paralyzed by indecision and working in a shipping warehouse—who find themselves at their family home in Kentucky and upend each other’s lives in devastating ways.
Between them is Alice, Joel's wife, a wry, passionate young woman whose dream of a small farm feels unattainable, and whose longing for a more authentic life collides with Emmett's hunger for connection and desire to escape a sense of burgeoning failure. As the chemistry between them escalates, the family is plunged into a violent crucible, each character brought to the precipice of immutable catastrophe.
High school English teacher Elise loves teaching Shakespeare. She is also very pregnant. One quiet afternoon, she ends up trapped in a classroom with her Grade 12 students when the school is locked down. Anthony, the cause of the lockdown, is roaming the halls with a knife in search of some solace, consumed by thoughts of his best friend Samantha, who is in peril. Maria, the school's counselor, is second-guessing her decision to turn him in.
As the lockdown drags on, Elise can no longer deny that she’s going into labor. And she’ll have to rely on the students to get her through: Shai-Anna and Faduma end up acting as midwives, and the others do what they can.
the owner of a corner store takes in an unhoused man who does a good deed, a kind soul whose presence will transform the whole neighborhood—a heartwarming tale of community and redemption reminiscent of the bestselling novels of Matt Haig and Gabrielle Zevin.
Dok-go lives in Seoul Station. He can’t remember his past, and the only thing he knows for certain is that he could really use a drink. When he finds a lost wallet filled with documents, his life is drastically changed.
Mrs. Yeom, a retired history teacher and current owner of her neighborhood’s corner store, is distraught over the loss of her purse, until she receives a mysterious call from the person who found it. To thank this down-on-his-luck stranger, she offers him a free meal from the convenience store. Seeing the joy the food brings him, Mrs. Yeom impulsively invites him to stop by for lunch every day.
In a twist of fate, Dok-go saves the store from a robber—a brave act that propels Mrs. Yeom to offers the bear-like man a job working the night shift, despite the objections of her wary employees. The store’s new employee quickly wins over the quirky denizens of the neighborhood, becoming a welcoming ear and source of advice for his coworkers and neighbors’ problems, and helping his new boss save the store from financial ruin. But just when things are looking up for Dok-go, Mrs. Yeom's good-for-nothing son, eager to sell the store, hires a detective to dig into the mysterious man’s past and what he seems to be trying so hard to forget.
In the aftermath of a surprising death, students and teachers at an English school grapple with their grief. Yet the bell continues to ring, and normal life—lessons, arguments, flirtations—goes on. As the heat of the late spring day intensifies, allegiances strain and rivalries escalate, and old secrets start to surface. Set against a backdrop of strikes, economic unrest, and the stratified milieus of a small town in the 1980s.
Dawn is breaking over the Guilleries, a rugged mountain range in Catalonia frequented by wolf hunters, brigands, deserters, race-car drivers, ghosts, and demons. In a remote farmhouse called Mas Clavell, an impossibly old woman lies on her deathbed. Family and caretakers drift in and out. Meanwhile, all the women who have lived and died in that house are waiting for her to join them. They are preparing to throw her a party.
As day turns to night, four hundred years’ worth of stories unspool, and the house reverberates with raucous laughter, pungent feasts, and piercing cries of pleasure and pain. It all begins with Joana, Mas Clavell’s matriarch, who once longed for a husband—“a full man,” perhaps even “an heir with a patch of land and a roof over his head.” She summoned the devil to fulfill her wish and struck a deal: a man in exchange for her soul. But when, on her wedding day, Joana discovered that her husband was missing a toe (eaten by wolves), she exploited a loophole in her agreement, heedless of what consequences might follow.
When twelve-year-old Junah Simmons walks into his middle school classroom in September 1999, the chalkboard reads THE END OF THE WORLD IS HERE.
In the months leading up to Y2K, Junah’s eccentric teacher tasks each of her students to make a time capsule in a shoe box to document their experiences in South Carolina at the end of the world.
Junah is an outsider at school, the kid in sunglasses with a speech impediment. Through the time capsule project, he sifts through the tough stuff: his parents divorce; Rusty, the school bully; Sadie, his punk crush who doesn’t know he exists; his mother’s pressure on him to turn to Jesus; his worry and loneliness. Rendered in vignettes and scraps, this kaleidoscopic novel follows Junah as he confronts the catastrophes of youth while wrestling with the notion that the world itself could end in December.
From the author of Once More We Saw Stars comes a gripping novel about four intertwined lives that collide in the wake of a mysterious tragedy. Set in a near-future world where the boundaries between human and AI blur, the story challenges our understanding of consciousness and humanity.
Anna is shattered by the violent death of her son, Alex, and tormented by the question of whether it was an accident or a suicide. Samantha is Alex’s best friend, and the only eyewitness to his death. She keeps returning to the cliff where she watched him either jump or fall, trying to sift through the shards. Aviva is an “upload,” a digital entity composed of the sense memories of a human tether. But she’s “emancipated,” having left her human behind. Set free from her source and harboring a troubling secret, she finds temporary solace in the body of Cathy, a self-destructive ex-addict turned AI professor and upload-rights activist.
When Sally Samuelson was eight years old, her golden boy brother Ellis went missing the summer he graduated high school. Ellis finally turned up at the bucolic Bug Hollow, a last gasp of the beautiful Northern California counterculture in the seventies. He had found joy in the communal life there, but died in a freak accident weeks later.
From that point, the world of the Samuelsons never spins on the same axis, especially after Julia, Ellis’s girlfriend from Bug Hollow, shows up pregnant on their doorstep. Each Samuelson has sought their own solace: Sybil Samuelson pours herself into teaching and numbing her pain after the loss of her beloved son; her husband, Phil, had found respite in a love that developed while he was working as an engineer in Saudi Arabia; Katie, the high achieving middle Samuelson, comes home to try and make peace with her mother after a cancer diagnosis. And Sally has become the de facto caretaker to Eva, the child Ellis never knew.
Lena wants her life back. Her wealthy, controlling, humorless husband has just died, and now she contends with her controlling, humorless son, Drew. Lena lands in Naxos with her best friend in tow for the unveiling of her son's, pet project--the luxurious Agape Villas.
Years of marriage amongst the wealthy elite has whittled Lena's spirit into rope and sinew, smothered by tasteful cocktail dresses and unending small talk. On Naxos she yearns to rediscover her true nature, remember the exuberant dancer and party girl she once was, but Drew tightens his grip, keeping her cloistered inside the hotel, demanding that she fall in line.
Lena is intrigued by a group of women living in tents on the beach in front of the Agape. She can feel their drums at night, hear their seductive leader calling her to dance. Soon she'll find that an ancient God stirs on the beach, awakening dark desires of women across the island. The only questions left will be whether Lena will join them, and what it will cost her. (Note: If the cover reminds you of a certain myth, you are correct.)
Jane Grabowski hauls herself to her nine to five office job at New York City’s most acclaimed newspaper to sit in stale air under severe florescent lights and mask her rage by sending emails with too many exclamation points.
Luckily, Jane has a reason to keep coming into the office: Madeline, the distractingly beautiful intern. Madeline has never dated a woman and is uncomfortable with labels but with carefully timed lunch breaks and painstakingly crafted texts, Jane works her way into her life. Meanwhile, Jane’s free-spirited artist roommate tries to keep her from falling for a straight girl by dragging Jane to gay bars and queer Shabbat dinners, where she meets the decidedly uncool and morally righteous musician, Addy.
Caught between Addy’s readiness to commit and Madeline’s alluring unpredictability, Jane is pulled down a slippery path of lies and deceit, leading to a plane ticket that threatens to take everything down in one fell swoop.
Meet the Mikkola sisters: Ina, Evelyn, and Anastasia. Their mother is a Tunisian carpet seller, their father a mysterious Swede who left them when they were young. Ina is tall, serious, a compulsive organizer. Evelyn is dreamy, magnetic, a smooth talker. And Anastasia is moody, chaotic, a shape-shifting presence, quick to anger.
Ina meets her future husband when she’s dragged to a New Year’s rave by her sisters, only to suffer the ultimate betrayal. Evelyn drifts through life before embarking on a wild career as an actress. And Anastasia runs off to Tunisia, where she falls in love with a woman who, years later, will transform her life.
Following the sisters from afar is Jonas, the son of a Swedish mother and a Tunisian father. Over the course of three decades, his life intersects with the sisters, from a chance encounter in Tunis to the scene of a fighter jet crash in Stockholm. When Evelyn disappears on a trip to New York, Jonas manages to track her down—and helps her to break the curse that has been looming over the Mikkolas for decades. In the process, a shocking revelation changes everything about who they think they are.
follows Anders, a teenage idealist who enlists and reenlists to shape the American Future—as soon as he figures out what that is, who it includes, and why everyone wants him to die for it. Escaping his violently insane mother is a bonus.
Anders finds honor as a proud Union flag twirler—until he’s captured. Then he tries life as a diehard Confederate—until fate asks him to die hard for the Confederacy at Gettysburg. Barely alive, Anders limps into a Black Union regiment in a stolen uniform. While visibly white, he claims to be an octoroon, and they claim to believe him. Only then does his life get truly strange.
His new brothers are even stranger, including a science-fiction playwright, a Haitian double agent, and a former slave feuding with God. Despite his best efforts, Anders starts seeing the war through their eyes, sparking ill-timed questions about who gets to be American or exploit the theater of war. Dennard Dayle’s satire spares no one as doomed charges, draft riots, gleeful arms dealers, and native suppression campaigns test everyone’s definition of loyalty.
Hazel Blum, please report to the principal’s office. Hazel Blum.
When Hazel Blum’s father gets a tenured job at a prestigious college, she and her family relocate from the hustle and bustle of Brooklyn to a middle-of-nowhere college town in Maine. With her mother, Claire, a clothing designer, and her father, Gus, an American Studies professor, Hazel and her eleven-year-old brother, Wolf, spend the summer at the town pool, where they acclimate to their new lives and connect with the town’s sprawling community. That is, until a dramatic fallout on the very first day of her senior year tips the fickle balance of idyllic Riverburg and impacts everyone in her family.
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